Bauhaus

The Bauhaus movement originated as a German school of the arts in the early 20th century. Founded by German architect Walter Gropius in 1919, the school was dedicated to uniting all branches of the arts under one roof. The Bauhaus acted as a hub for Europe’s most experimental creatives, with well-known artist instructors like Wassily Kandinsky, Josef Albers, and Paul Klee, gradually morphing into its own modern art movement characterized by its unique aesthetic approach to architecture, design, and fine art.

Oskar Schlemmer, The Bauhaus Emblem (1921)
Oskar Schlemmer, The Bauhaus Emblem (1921)

The style of Bauhaus is characterized as an amalgamation of the Arts and Crafts movement with modernism, evident in emphasising form and function and the aim to bring art back into contact with everyday life. Thus, the typical Bauhaus design as seen in architecture and interior design focuses on balanced forms and abstract shapes. The emphasis on function in painting is evident through balanced abstract compositions with overlapping shapes and flat planes as in the artwork of Wassily Kandinsky and Paul Klee.

As an educational institution, the Bauhaus existed in three cities in Weimar from 1919 to 1925, Dessau from 1925 to 1932, and Berlin from 1932 to 1933, under three different architect-directors: Walter Gropius from 1919 to 1928; Hannes Meyer from 1928 to 1930; and Ludwig Mies van der Rohe from 1930 until 1933. In 1933, the Bauhaus was closed under the pressure from the Nazi regime, since it was blamed for being a centre of communist intellectualism. Notwithstanding, the Bauhaus staff continued to spread its idealistic precepts leaving Germany, emigrating all over the world, strongly impacting the development of arts and style worldwide.

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