Austrian Expressionism

Expressionism in Austria developed largely independently, but simultaneously with the German counterpart movement. In both countries, artists shared commonalities such as a deep engagement with Symbolism as part of a legacy of Northern European humanism. While German modernist artists began exploring foreign developments, which had superseded Symbolism and Art Nouveau, Austrians remained focused on these older elements.

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Egon Schiele, The Embrace (1917)

Expressionism in Austria was mainly represented by Oskar Kokoschka, Egon Schiele, Richard Gerstl, and Max Oppenheimer, all concentrating on nude painting and portraiture, using sexually or pathologically charged imagery to exploit the human psyche and to challenge the conformity of their surroundings. Many Austrian expressionist artists considered drawing as their main means for developing their psychologically charged styles, applying colour, formal distortion, fluid lines and violent brushwork in their emotionally turbulent figurative paintings.

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