Impressionism was an art movement of the 19th century developed in France, based on the practice of painting spontaneously out-doors (“en plein airThe French term “en plein air” means “out-doors”. Plein air painting therefore refers to the practice of painting an entire finished picture out of doors. Artists have long worked out of doors to create landscape sketches for the preparation of further studio work. The plein air approach, finishing entire pictures out-doors, however, began only in the 19th century, initiated by More”) rather than in the studio. Key impressionist subjects were everyday scenes and landscapes, in which the momentary and transient effects of sunlight should be captured. The artists worked directly in front of their subjects, using rapid brushworkMasterful brushwork is often the defining feature of great artists, where the brush becomes an extension of their arm, allowing paint to flow effortlessly onto the canvas. These artists demonstrate a profound understanding of their medium, knowing precisely when to apply thick, textured strokes or smooth, delicate ones. Their skill extends beyond mere color application; it's about the artistry of More broken into separate dabs in order to render the quality of light.
Main proponents of Impressionism were Claude MonetFrench painter Claude Monet (1840 – 1926) was a key figure of the impressionist movement which started in the second half of the 19th century. During his long career, Monet focused on depicting leisure activities and plein air landscape painting. Born in Paris, his family moved to Le Havre in Normandy when Claude was 5 years old. From early on, More and other Paris-based artists working in the early 1860s. An inaugural group exhibition was held in Paris in 1874 including work by Monet, Auguste Renoir, Edgar Degas and Paul Cezanne. Monet received the harshest attacks, his work “Impression, Sunrise” particularly being singled out for ridicule. The term “impressionist” quickly gained favour and was also accepted by the artists, unifying them by the spirit of independence from the academically oriented Salon.
Seven further exhibitions were then held until 1886, also influencing artists overseas, such as the British Impressionists Walter Richard Sickert and Wilson Steer.