Female Model in Bright Red Jacket and Pants by Egon Schiele – Canvas Giclée Print

$79.00$159.00

The high-resolution print revisits the masterpiece “Female Model in Bright Red Jacket and Pants” (1914). As one of Egon Schiele’s outstanding gouache paintings, it is part of the masterpiece series at Pigment Pool. With his signature graphic style and daring defiance of conventional norms of beauty, Egon Schiele was one of the leading artists of Austrian Expressionism.

Schiele regarded drawing as his primary art form and means to express immediacy and to capture the essential characteristics of his subjects. As in his work “Female Model in Bright Red Jacket and Pants”, he often combined graphical elements with gouache or watercolour, emphasising contour and linearity through monochromatic colour usage.
Klimt & Schiele: Influenced by the Vienna Secessionist movement and especially by Gustav Klimt, Schiele repeatedly deployed imagery like furniture or clothes not as subjects as such, but rather for structural or decorative purposes to perfectly balancing his compositions.

Where is the picture “Female Model in Bright Red Jacket and Pants today?

The original picture of “Female Model in Bright Red Jacket and Pants” is on permanent display at the Albertina Museum in Vienna, Austria.

What’s in it?

The “Female Model in Bright Red Jacket and Pants” sits on an undefined object, lifting a dark jumble of clothes. The two pieces of garment pointed to in the title lack volume and are embodying plain red colour, strongly contrasting with the plasticity of the jumble. A similar contrast arises between the volume of the model’s body parts, especially her thighs, directly hitting onto the red colour fields, almost dismantling the figure. Schiele masterfully uses the plasticity of the jumble to mediate between the figure and the background – regardless of the distortion of the figure and the striking colour, the overall impression of the composition appears balanced.

What’s the context?

The years starting in 1914 were emotionally turbulent for Egon Schiele. He separated from his long-term lover Wally Neuzil to marry the socially more acceptable Edith Harms. During that time, he experimented with colour and the representation of clothes. In many pictures, the figures nearly seem to get absorbed or dismantled by their clothing and abstracted surroundings. Such is the case in “Female Model in Bright Red Jacket and Pants” and equally strikingly in Schiele’s famous paintingDeath and the Maiden”, which has been interpreted to symbolize the death of his true love to Wally.

Chatter and Prattle

Egon Schiele – Facts:

  • In 1914, Egon Schiele met the middle-class sisters Edith and Adéle Harms, whose family lived across the street from his studio in Vienna.
  • In 1915, Schiele chose to marry Edith, who was socially more acceptable than his long-term lover Wally. However, he had hoped to maintain his sexual relationship with Wally, which she strongly disapproved of. Wally left and never saw him again, leading Schiele to paint “Death and the Maiden”. It is unclear if Egon Schiele’s wife was aware of the artist’s actions.
  • Despite strong opposition from the protestant Harms family, Schiele and Edith married in June 1915.

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Recommended Reading:

This article may contain compensated links. Please read Disclaimer for more info. As an Amazon Associate, I earn from qualifying purchases.

Jane Kallir (2003): Egon Schiele: Drawings and Watercolors

Tobias G. Natter (2020): Egon Schiele. The Paintings. 40th Anniversary Edition

Rudolf Leopold et al. (2017): Egon Schiele: Masterpieces from the Leopold Museum

James Dempsey et al. (2018): Obsession: Nudes by Klimt, Schiele, and Picasso from the Scofield Thayer Collection

Agnes Husslein-Arco et al. (2011): Egon Schiele: Self-portraits and Portraits

Size

10 x 15 cm, 13 x 18 cm, 21 x 30 cm, 30 x 45 cm, 40 x 60 cm, 50 x 75 cm, 61 x 91 cm, 70 x 105 cm, 80 x 120 cm

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