No.3/No.13 (Magenta, Black, Green on Orange) by Mark Rothko – Canvas Giclée Print

$119.00$259.00

The high-resolution print of the famous masterpiece “No.3/No.13 (Magenta, Black, Green on Orange)” was created by Mark Rothko in 1949. The artist is closely associated with the New York School of Abstract Expressionism, a circle of painters that emerged during the 1940s as a collective voice in American art. During his career spanning five decades, he created a new form of abstract art.

Mark Rothko and other artists of the New York School, such as Jackson Pollock, Lee Krasner, Barnett Newman, and Adolph Gottlieb, were indelibly shaped by the events of the Great Depression and the Second World War. They were convinced that earlier styles of art were no longer suitable in a world of Holocaust and atomic bombs. The artists, therefore, developed styles of painting devoid of any representational or narrative element, fully focusing on expression. Rothko and his colleagues used diverse abstract means to express universal emotions and strived to create awe-inspiring intensity with their paintings.

Where is the picture “No.3/No.13 (Magenta, Black, Green on Orange)” today?

The original picture of “No.3/No.13 (Magenta, Black, Green on Orange)” is on permanent display at the Museum of Modern Art in New York City today.

What’s in it?

No.3/No.13” is an early example of a compositional structure that Rothko continuously explored for more than two decades: Narrowly separated blocks of colour with soft and irregular edges hover in front of a coloured ground. In his composition, Rothko used a vibrant orange background and has narrowly separated blocks of magenta, white, black, and green of uneven intensity floating above it in one column. The edges are soft and uneven and at some points merge with the ground. The canvas is abounding of gentle movement, the blocks emerging and receding, merging with the numerous translucent layers of wash. While the big black colour block draws the viewer’s attention creating depth, the green bar below it appears to vibrate against the orange ground and creates an optical flicker.

What’s the context?

Ecstasy, tragedy, myth, and the sublime were recurring themes in Rothko’s work. When paintingNo.3/No.13 (Magenta, Black, Green on Orange)”, he was going through a time of severe distress since his beloved mother Kate had died in October 1948. Tragedy manifested in his paintings, triggering wonder and awe through the sense of boundlessness and spatial abundance. Rothko wrote himself: “I think of my pictures as dramas, the shapes in the pictures are the performers.”
Rothko had read Friedrich Nietzsche’sThe Birth of Tragedy” (1872), which deeply influenced his understanding of his artistic mission. Nietzsche’s thesis discussed how classical mythology existed to overcome the terrifying mundanity of every day, mortal life. Rothko connected this notion to his paintings and began to see his work as a sort of mythology that could fill spiritual emptiness.

Chatter and Prattle

  • With the colour field pictures manifesting as Rothko’s signature style, Fortune 500 declared that Mark Rothko paintings to be a great monetary investment. This lead avant-garde colleagues such as Barnett Newman to refer to Rothko’s art as sell-out with “bourgeoisie aspirations.” Rothko became greatly concerned that people would purchase his art for decorative reasons and as investment, not because they appreciated it for spirituality. He, therefore, rejected lucrative commissions and became silent when asked about his art’s meaning.
  • In the 21st century, several Rothko paintings were sold for over 80 million USD at auctions.

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Recommended Readings:

This article may contain compensated links. Please read Disclaimer for more info. As an Amazon Associate, I earn from qualifying purchases.

Christopher Rothko, Janet Bishop (2017): Rothko: The Color Field Paintings (Book for Art Lovers, Books of Paintings, Museum Books)

Jacob Baal-Teshuva (2015): Rothko (Basic Art Series 2.0)

Barbara Hess (2016): Abstract Expressionism (Basic Art Series 2.0)

Christopher Rothko (2015): Mark Rothko: From the Inside Out

Mark Rothko (2006): Writings on Art

Susan Grange (2016): Mark Rothko: Break into the Light (Masterworks)

James E. B. Breslin (1998): Mark Rothko: A Biography

Size

20 x 30 cm, 30 x 40 cm, 40 x 60 cm, 50 x 70 cm, 60 x 90 cm, 70 x 100 cm, 80 x 120 cm, 90 x 130 cm, 100 x 150 cm

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