Women Encircled by the Flight of a Bird by Joan Miró – Canvas Giclée Print

$112.00$248.00

The high-resolution print revisits the masterpiece “Femmes Encerclées par le Vol d’un Oiseau” (“Women Encircled by the Flight of a Bird”) created in 1941 by Joan Miró. As one of the Spanish Catalan artist’s outstanding compositions, it is part of the masterpiece series at Pigment Pool. The original work captures Miró’s desire to escape the hostile reality and to focus on the dreamlike.

Joan Miró combined abstraction with surrealist fantasy. Evident in his work “Femmes Encerclées par le Vol d’un Oiseau” (“Women Encircled by the Flight of a Bird”) created in 1941, the artist makes use of the tension between poetic impulse and the unpleasant realities of modern life. Miró sought to portray nature as it would be depicted by a child, using simplifications, however with the knowledge, irony, and rational abilities of an adult. The poetic nature of Miró’s artworks fit well within the dream-like automatism of the surrealist art group. Although he is widely considered a leading artist of Surrealism, he refused to be officially part of the group to be able to explore other styles more freely. Even though his work is loved for its joyful celebration of colour, it also contains messages about emotional agony and despair about war and destruction, as well as ideas about peace and freedom.

Where is the picture “Women Encircled by the Flight of a Bird” today?

The Joan Miró original of “Women Encircled by the Flight of a Bird” (1941) is currently part of a private collection.

What’s in it?

Joan Miró used an intense palette of colours on an opalescent, tawny background, applying gouache and watercolour in combination with pencil and charcoal drawing. A range of small black forms interspersed with clearly outlined green, blue, yellow, and red colour fields rhythmically populate the composition, describing the scene of a bird in the sky flying around a group of women. Miró applied a set of pictorial vocabulary developed in the first years of the Second World War, adding up to his unique visual language across multiple artworks. He developed symbols for stars and planets, at places represented through intersecting lines and triangles; birds, mainly shown through the mere trajectory of their flight, rather than the animal itself; and women, most clearly to identify through their open sexes presented as a divided tear shape or ovoid, both halves in different colours. However, despite their shape and detail, Miro’s vaginas lack the sexual pulse as known from artists like Egon Schiele, Wassily Kandinsky, or Pablo Picasso. Miró once stated: “My figures underwent the same simplification as my colours. Simplified as they are, they are more human and more alive than they would be if represented in all their detail. Represented in detail, they would lose their imaginary quality, which enhances everything.”

What’s the context?

Joan Miró created his “Constellations” paintings between 1940 and 1941 while he was in a village near the coast called Varengeville-sur-Mer Normandy, among them “Women Encircled by the Flight of a Bird”. The sky, stars, and tale-like sceneries are the leitmotifs of these pictures. The artist stated: “At Varengeville-sur-Mer, in 1939, began a new stage in my work which had its sources in music and nature. It was about the time that the war broke out. I felt a deep desire to escape. I closed myself within myself purposely.” Focusing on the sky and dreamlike landscapes helped him to distance himself from the horrors of humanity. Miró believed that in “a painting, you should be able to discover new things each time you look at it. For me, a painting must give off sparks. It must dazzle like the beauty of a woman or a poem”.

Chatter and Prattle

Joan Miró – Facts:
  • Miró’s instinct for political engagement was heartfelt, full of fear of risk and danger. He would often react through gestures of withdrawal and self-defence. André Breton, the founder of the surrealist movement, once referred to Miró, as a case of “arrested development” and as a childlike artist – a label, that would stick with Miró for a long time. Miró said himself: “When I was painting the Constellations, I had the genuine feeling that I was working in secret, but it was a liberation for me in that I ceased thinking about the tragedy all around me.”
  • Miró considered the “Constellation” series among his most significant works. The pictures also inspired André Breton to write a series of prose poems likewise called “Constellations” in 1958.
Do you want to comment on this text or add information? We would like to hear from you.Also read our posts on Joan Miró and Surrealism:

Joan Miró: Surrealism Through the Eyes of an Abstract Genius

76 Innovative Surrealism Art Ideas to Unleash Your Creative UnconsciousGuillaume Apollinaire, Surrealism and Today’s AI: Above RealityFacts to Know about Surrealism: Changing the Course of Art HistoryFamous Abstract Paintings: Joan Miró Art Works You Must Know10 World Famous Paintings of the Modern Period that changed the Artworld foreverHand with Reflecting Sphere by M. C. Escher – Canvas Giclée Print Further Recommended Readings:This article may contain compensated links. Please read Disclaimer for more info. As an Amazon Associate, I earn from qualifying purchases.Joan Miro et al. (2017): Joan Miro: I Work Like a Gardener (Interview with Joan Miro on his creative process)Carolyn Lanchner (1993): Joan Miro (A Museum of Modern Art Book)Agnes De La Beaumelle (2020): Joan Miró 1917–1934: I’m Going to Smash their GuitarMargit Rowell et al. (2017): Miro and Calder’s ConstellationsMarko Daniel et al. (2012): Joan Miro: The Ladder of Escape
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