Impression, Sunrise by Claude Monet – Canvas Giclée Print

$99.00$179.00

The high-resolution print revisits the masterpiece “Impression, Sunrise” (French: “Impression, soleil levant”) painted in 1872 by Claude Monet. As one of the French artist’s best-known landscape paintings, it is part of the masterpiece series at Pigment Pool. With his signature style of plein air painting, Monet was one of the leading artists of the Impressionist movement in Europe.

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Claude Monet’s “Impression, Sunrise” is a seminal painting in the history of art. It was first shown in what would later be known as the first Impressionist exhibition in 1874 and is credited to have inspired the name of the modernist art movement of Impressionism. Parisian art critiques faulted Monet’s painting technique for its unfinished appearance, the seemingly amateurish quality, for its light and loose brushwork, and his style of painting out of doors, en plein air.

Where is the picture “Impression, Sunrise today?

The original picture of “Impression, Sunrise” (1872) is currently on permanent display at the Musée Marmottan Monet in Paris.

What’s in it?

In “Impression, Sunrise” Claude Monet depicts the port of Le Havre, his hometown in the Northwest of France. He most likely completed the picture in a single sitting on the spot, standing at a window overlooking the harbour at sunrise. It gives a suggestion of the early morning mist clogged with industrial smoke of the city. Monet stripped away the details to a bare minimum: the dockyards in the background are merely suggested by a few brushstrokes, as are the dark vessels which contrast against the hazy background, interspersed with orange and yellow hues of the red sun. Little detail is only visible for some smaller boats in the foreground, seemingly being propelled by the water currents. In the middle ground, fishing boats, in the far back misty shapes of pack boats and steamships lie on the water. The colours are restrained, and the paint applied in very thin washes, at places even leaving the canvas visible, making the painting appear strongly atmospheric. It represents Monet’s swift attempt to capture a fleeting moment. The near abstract technique compels almost more attention than the subject matter itself.

What’s the context?

Claude Monet had spent some time in London, where he had escaped the Franco-Prussian War of 1870–71. There he had seen the work of J.M.W. Turner and James Whistler, which had a strong influence on his atmospheric landscape painting. Back in France, he focused on urban and industrial life, although his vision was more that of a landscape painter. Monet created an entire series of paintings depicting the port of Le Havre, showing the harbour during dawn and night, during dawn and dusk, from varying viewpoints. “Impression, Sunrise” is the most famous among this series of pictures.
Impressionist artists weren’t interested in painting history, mythology, or religious themes, but simply in what they saw, felt, and thought. They used looser brushwork and lighter colours and abandoned the three-dimensional perspective. This approach was unacceptable in the eyes of art authorities at that time, namely the Académie des Beaux-Arts in Paris, which rejected to show the Impressionist’s artwork at their annual exhibition, the “Salon”. Several rejected artists, including Claude Monet, August Renoir, Edgar Degas, Berthe Morisot, and Alfred Sisley among others, decided to show their artwork in their own exhibition in 1874, which seemed unacceptable to the public.

Chatter and Prattle

Claude Monet – Facts:

  • At the first independent exhibition of the rejected artists, “Impression, Sunrise” was among the most famous pictures, not so much because of having a crucial status within Monet’s oeuvre, but rather for the satirical comments it attracted from art critics and the public, which gave rise to the name of the impressionist movement: Days after the exhibition, an article appeared in the satirical journal Le Charivari, in which journalist Louis Leroy described a fictitious conversation between two visitors, one of them exclaiming: “Impressionism, I knew it; after all, I’m impressed so it must be an impression…What freedom! What ease of workmanship! Wallpaper in its embryonic state is more finished than this seascape!” Leroy’s article was entitled ‘The Exhibition of the Impressionists’ – a label that stuck thereafter.
  • The original painting “Impression, Sunrise” was stolen from the Musée Marmottan by Philippe Jamin and Youssef Khimoun in 1985. It was recovered and returned to the museum in 1990, and put back onto permanent display in 1991.

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Recommended Readings:

This article may contain compensated links. Please read Disclaimer for more info. As an Amazon Associate, I earn from qualifying purchases.

Daniel Wildenstein (2010): Monet or The Triumph of Impressionism

Ross King (2016):Mad Enchantment: Claude Monet and the Painting of the Water Lilies

Christoph Heinrich (2015): Monet (BASIC ART) (French Edition)

Simona Bartolena (2011): Monet: Masters of Art

Dominique Lobstein (2013): Claude Monet’s Gardens at Giverny

Size

20 x 25 cm, 30 x 42 cm, 40 x 56 cm, 50 x 70 cm, 60 x 84 cm, 70 x 98 cm

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